"In 2024, In-Depth Analysis of YouTube AdRevenue Average Payout per 1,000 Viewers' Engagement"
In-Depth Analysis of YouTube AdRevenue: Average Payout per 1,000 Viewers’ Engagement
YouTubers are fantastic people who create content and make a living out of it. But have you ever thought about how much YouTube pays or what YouTube AdSense earnings are?
If you aren’t sure about the YouTube payment situation or how much AdSense pay for views, you will learn this below. Whether you’re planning to create a channel or already have one, learning how much you can expect YouTube to pay will help you in the longer run.
Be it AdSense pay on 1,000 views or AdSense pay per click; this blog features information you may appreciate.
- Type of Content
- Keywords
- User Location
- Time Requires to Get Views
- Video Duration
- Your Niche or Industry
Part 1: How Much Does AdSense Pay Per 1,000 Views
As a content creator, you might be tempted to know how much you can expect to earn through AdSense. Since it’s a free and simple way to make extra bucks, showing ads with the content you produce for online platforms, it’s essential to know how much it pays for views.
Pay Per 1,000 Views by AdSense
For 1,000 views, expect AdSense to pay around $8-$20. However, your total earnings will depend on factors such as your content type, users’ location, and setting of ads in Google AdSense, so it can pay on thousand views.
More so, AdSense opts for Revenue Per 1,000 impressions or (RPM) to showcase the amount you would get for 1,000 impressions. Remember, this RPM doesn’t include the actual amount you’ve earned. But it focuses on dividing your earnings by page views and impressions, then multiplying those by 1,000.
You can also refer to the formula for better understanding.
Formula:
RPM = (Estimated earnings / Number of page views) * 1000
From this formula provided by Google official, we can easily know that
Estimated earnings = (RPM * Number of page views) / 1000
To understand it further, see the example below.
Suppose you’ve earned around $0.10 from 20 page views; your page RPM would be $6.00 in simpler terms.
($0.10 / 25) * 1000 = $6.00
Also, if RPM is $4.00 from 45,000 ad impressions, your estimated earnings would be equal $180.00
($4.00 * 45,000) / 1000 = $180.00
AdSense Pay Per View
Lastly, if you’re looking for an exact answer regarding how much it pays per view, know that it varies and is based on different factors, such as niche or audience demographic.
But you can expect something between $8 to $12 on 1,000 views after monetizing your YouTube channel with your Google AdSense account.
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After understanding AdSense’s way to pay for 1,000 views, formula, or pay per view, here’s what you need to know about AdSense’s payment on per click policy.
On Average, you can expect AdSense to pay something around $0.20 to $15 on a click. Talking about estimated earnings or one click, it depends on the cost-per-click in the niche, including the publisher’s earnings and competition among rival advertisers.
And if you’re wondering, cost-per-click is when a user clicks on your ad, and you earn money for it. However, advertisers always decide the cost-per-click for ads. In this case, some advertisers don’t hesitate to pay extra, depending on what they intend to advertise.
Part 3: AdSense Earnings Per Thousand Pageviews Examples
From pay per 1,000 views to pay per click, understanding the AdSense payment policy is essential if you’re up to monetize your YouTube channel.
Since there’re YouTube AdSense requirements, such as audience demographic, niche, or content, learning about which niche is the lucrative one will also help you decide your next move.
Let’s take a look at the following examples for better understanding:
- For example, if arts and entertainment is your niche, you can expect to earn $5.62 after accumulating 1,000 pageviews.
- Creators who create content on vehicles can earn around $9.20 on every 1,000 pageviews.
- If you’re into beauty and fitness, expect to earn up to $13.01 on 1,000 pageviews.
- For real estate, health, home, and garden niches, you can earn $14.50, $17.40, and $23.35 on every 1,000 pageviews.
Remember, people from North America can make the most of these earnings. But worry not if you are based outside North America. Because Google AdSense revenue calculator can help you find the average pageviews on monthly basis.
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After learning how much you can earn in different niches, it’s equally important to focus on the following factors, so you can qualify and start earning from AdSense with ease.
1) Type of Content
To monetize your videos for AdSense, ensure that you own the rights to use visuals and audio elements of your video. And focus on creating all elements of your video yourself.
For YouTube, you can try creating tutorials, do-it-yourself videos, original short films, original music videos, home videos, travel vlogs, or even daily-life vlogs.
While creating content for YouTube, remember advertisers consider placing ads on more advertiser-friendly content.
As a blogger, you must provide unique but quality content to exceed AdSense’s eligibility criteria. Having unique content helps Google understand what your website is about. It’s even better if your website provides a one-of-its-kind experience and users visit it again.
Be it a vlog or blog, please ensure that it’s original and not a copy from other sources. This way, you can elevate your credibility on the respective platforms. For a great user experience, opt for intuitive navigation.
And to up your content game, you can even use the calculator to determine the value of your content and estimated revenue from AdSense.
2) Keywords
Keywords are phrases and words that describe your service or product. The ones you choose will help show your ads to users.
Therefore, go for the relevant yet high-quality keywords and add them to your ad campaigns. This strategy will put your ad in front of potential buyers.
3) User Location
Remember, AdSense follows geo-targeting strategy, so it can place ads on different pages. These ads are based on a user’s language, region, and IP address.
Put simply, ads serving to a user from Algeria may differ from the ads for a user from Georgia.
4) Time Requires to Get Views
There’s no fixed time frame; however, you can focus on search volume, audience, and competition to start getting the desired number of views.
The first 60 minutes are crucial after you post a video. Then, the next 24 hours and the first 48 hours are equally important because YouTube gives an unnatural boost to it. It helps YouTube observe responses, such as how viewers interacted with the video and what kinds of viewers were interested in it.
Remember, if a video fails to get any views in a couple of days, it won’t likely perform and will consider “dead” on the platform.
More so, if a video performs better slightly, it’ll start to reach its full potential in the next 3 to 6 months, according to the views it receives per day. Oftentimes, videos took up to a year to perform well.
And if your video starts to perform better and faster in those 3-6 months, it’ll likely do better in the longer run.
5) Video Duration
Focus on the length of your video, as it determines how many ads can be shown in it. This part also influences your earning potential. When your video is longer in length, it’ll increase its worth.
However, you must find the right balance between video duration, quality, and the number of videos on your channel, so you can continue to earn without hindrance.
6) Your Niche or Industry
Niche is another essential factor to opt for AdSense earnings. Some of the profitable topics are:
- Business
- Investment
- Health
- Insurance
- Online Marketing
You can choose the area that interest you the most and start people educating about it.
For example, people tend to think about investing their money to multiply it. You can create videos on investment-related topics, tips and tricks to get maximum views.
Part 5: Pros and Cons of Earning Money from Google AdSense
At this point, you’re familiar with almost all aspects of generating money using Google AdSense. And considering the factors, it seems like a task you can perform.
Before you try earning money via AdSense, consider the following pros and cons.
Pros
- Google AdSense doesn’t charge an extra fee. It’s a totally free service that can help you earn dollars.
- Don’t know how to make ads? Don’t worry; Google will do it for you.
- It enables you to use one account to monetize multiple websites.
- As a passive income, it doesn’t require additional effort.
Cons
- Making the first $100 is a must to get paid further.
- With AdSense, you won’t be allowed to use another ad network.
- A policy breach could make you lose your account.
- You need a lot of traffic to make some serious money.
- Adding several ads can annoy your viewers.
Final Words
Monetizing your YouTube channel for AdSense is great for having a steady passive income. But, it’s a time-consuming process and has a set of advantages and disadvantages.
If you already have a YouTube channel and a certain number of views, you can take it further using the provided information. However, focus on factors such as user demographic, content type, and quality to achieve long-term success.
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Part 1: How Much Does AdSense Pay Per 1,000 Views
As a content creator, you might be tempted to know how much you can expect to earn through AdSense. Since it’s a free and simple way to make extra bucks, showing ads with the content you produce for online platforms, it’s essential to know how much it pays for views.
Pay Per 1,000 Views by AdSense
For 1,000 views, expect AdSense to pay around $8-$20. However, your total earnings will depend on factors such as your content type, users’ location, and setting of ads in Google AdSense, so it can pay on thousand views.
More so, AdSense opts for Revenue Per 1,000 impressions or (RPM) to showcase the amount you would get for 1,000 impressions. Remember, this RPM doesn’t include the actual amount you’ve earned. But it focuses on dividing your earnings by page views and impressions, then multiplying those by 1,000.
You can also refer to the formula for better understanding.
Formula:
RPM = (Estimated earnings / Number of page views) * 1000
From this formula provided by Google official, we can easily know that
Estimated earnings = (RPM * Number of page views) / 1000
To understand it further, see the example below.
Suppose you’ve earned around $0.10 from 20 page views; your page RPM would be $6.00 in simpler terms.
($0.10 / 25) * 1000 = $6.00
Also, if RPM is $4.00 from 45,000 ad impressions, your estimated earnings would be equal $180.00
($4.00 * 45,000) / 1000 = $180.00
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Lastly, if you’re looking for an exact answer regarding how much it pays per view, know that it varies and is based on different factors, such as niche or audience demographic.
But you can expect something between $8 to $12 on 1,000 views after monetizing your YouTube channel with your Google AdSense account.
Part 2: How Much Does AdSense Pay Per Click?
After understanding AdSense’s way to pay for 1,000 views, formula, or pay per view, here’s what you need to know about AdSense’s payment on per click policy.
On Average, you can expect AdSense to pay something around $0.20 to $15 on a click. Talking about estimated earnings or one click, it depends on the cost-per-click in the niche, including the publisher’s earnings and competition among rival advertisers.
And if you’re wondering, cost-per-click is when a user clicks on your ad, and you earn money for it. However, advertisers always decide the cost-per-click for ads. In this case, some advertisers don’t hesitate to pay extra, depending on what they intend to advertise.
Part 3: AdSense Earnings Per Thousand Pageviews Examples
From pay per 1,000 views to pay per click, understanding the AdSense payment policy is essential if you’re up to monetize your YouTube channel.
Since there’re YouTube AdSense requirements, such as audience demographic, niche, or content, learning about which niche is the lucrative one will also help you decide your next move.
Let’s take a look at the following examples for better understanding:
- For example, if arts and entertainment is your niche, you can expect to earn $5.62 after accumulating 1,000 pageviews.
- Creators who create content on vehicles can earn around $9.20 on every 1,000 pageviews.
- If you’re into beauty and fitness, expect to earn up to $13.01 on 1,000 pageviews.
- For real estate, health, home, and garden niches, you can earn $14.50, $17.40, and $23.35 on every 1,000 pageviews.
Remember, people from North America can make the most of these earnings. But worry not if you are based outside North America. Because Google AdSense revenue calculator can help you find the average pageviews on monthly basis.
Part 4: Earnings from AdSense: Factors to Consider
After learning how much you can earn in different niches, it’s equally important to focus on the following factors, so you can qualify and start earning from AdSense with ease.
1) Type of Content
To monetize your videos for AdSense, ensure that you own the rights to use visuals and audio elements of your video. And focus on creating all elements of your video yourself.
For YouTube, you can try creating tutorials, do-it-yourself videos, original short films, original music videos, home videos, travel vlogs, or even daily-life vlogs.
While creating content for YouTube, remember advertisers consider placing ads on more advertiser-friendly content.
As a blogger, you must provide unique but quality content to exceed AdSense’s eligibility criteria. Having unique content helps Google understand what your website is about. It’s even better if your website provides a one-of-its-kind experience and users visit it again.
Be it a vlog or blog, please ensure that it’s original and not a copy from other sources. This way, you can elevate your credibility on the respective platforms. For a great user experience, opt for intuitive navigation.
And to up your content game, you can even use the calculator to determine the value of your content and estimated revenue from AdSense.
2) Keywords
Keywords are phrases and words that describe your service or product. The ones you choose will help show your ads to users.
Therefore, go for the relevant yet high-quality keywords and add them to your ad campaigns. This strategy will put your ad in front of potential buyers.
3) User Location
Remember, AdSense follows geo-targeting strategy, so it can place ads on different pages. These ads are based on a user’s language, region, and IP address.
Put simply, ads serving to a user from Algeria may differ from the ads for a user from Georgia.
4) Time Requires to Get Views
There’s no fixed time frame; however, you can focus on search volume, audience, and competition to start getting the desired number of views.
The first 60 minutes are crucial after you post a video. Then, the next 24 hours and the first 48 hours are equally important because YouTube gives an unnatural boost to it. It helps YouTube observe responses, such as how viewers interacted with the video and what kinds of viewers were interested in it.
Remember, if a video fails to get any views in a couple of days, it won’t likely perform and will consider “dead” on the platform.
More so, if a video performs better slightly, it’ll start to reach its full potential in the next 3 to 6 months, according to the views it receives per day. Oftentimes, videos took up to a year to perform well.
And if your video starts to perform better and faster in those 3-6 months, it’ll likely do better in the longer run.
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5) Video Duration
Focus on the length of your video, as it determines how many ads can be shown in it. This part also influences your earning potential. When your video is longer in length, it’ll increase its worth.
However, you must find the right balance between video duration, quality, and the number of videos on your channel, so you can continue to earn without hindrance.
6) Your Niche or Industry
Niche is another essential factor to opt for AdSense earnings. Some of the profitable topics are:
- Business
- Investment
- Health
- Insurance
- Online Marketing
You can choose the area that interest you the most and start people educating about it.
For example, people tend to think about investing their money to multiply it. You can create videos on investment-related topics, tips and tricks to get maximum views.
Part 5: Pros and Cons of Earning Money from Google AdSense
At this point, you’re familiar with almost all aspects of generating money using Google AdSense. And considering the factors, it seems like a task you can perform.
Before you try earning money via AdSense, consider the following pros and cons.
Pros
- Google AdSense doesn’t charge an extra fee. It’s a totally free service that can help you earn dollars.
- Don’t know how to make ads? Don’t worry; Google will do it for you.
- It enables you to use one account to monetize multiple websites.
- As a passive income, it doesn’t require additional effort.
Cons
- Making the first $100 is a must to get paid further.
- With AdSense, you won’t be allowed to use another ad network.
- A policy breach could make you lose your account.
- You need a lot of traffic to make some serious money.
- Adding several ads can annoy your viewers.
Final Words
Monetizing your YouTube channel for AdSense is great for having a steady passive income. But, it’s a time-consuming process and has a set of advantages and disadvantages.
If you already have a YouTube channel and a certain number of views, you can take it further using the provided information. However, focus on factors such as user demographic, content type, and quality to achieve long-term success.
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Free Download For macOS 10.14 or later
Master Video Creation: Understanding the Role of Camera Lenses in Vlogging
A Vlogger’s Guide To Camera Lenses
Richard Bennett
Nov 01, 2022• Proven solutions
The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.
But which kind of lens is the right lens for you as a vlogger?
In this article, I’m going to help you figure that out.
- Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
- Part 2: Vlogging With Each Focal Length Group
- Part 3: Crop Factor
- Part 4: Focal Length Equivalency Table
- Part 5: Aperture
- Part 6: Vlogging With a Fast Lens
- Part 7: Optical Image Stabilization
Three Focal Length Groups: Wide, Standard, Telephoto
There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.
Wide-Angle Lens
Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.
Standard Lens
With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.
Telephoto Lens
Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.
Vlogging With Each Focal Length Group
You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.
When to vlog with a wide-angle lens
Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.
Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.
When to vlog with a standard lens
Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.
Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.
When to vlog with a telephoto lens
As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.
In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?
Crop Factor
Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).
In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.
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This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.
| Focal Length / Sensor | Full Frame | APS-C | Micro 4/3 |
|---|---|---|---|
| Wide (Handheld Selfie-Safe) | 16mm | 10mm | 8mm |
| Wide (Handheld Selfie-Safe) | 18mm | 11mm | 9mm |
| Wide (Handheld Selfie-Safe) | 24mm | 15mm | 12mm |
| Wide | 35mm | 22mm | 18mm |
| Standard | 50mm | 31mm | 25mm |
| Telephoto | 70mm | 44mm | 35mm |
| Telephoto | 100mm | 63mm | 50mm |
| Telephoto | 200mm | 125mm | 100mm |
Aperture
The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).
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Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.
Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.
But do you even need a fast lens?
Vlogging With a Fast Lens
Pros of Vlogging With a Fast Lens
- Better low-light performance
- Better autofocus performance
- Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)
Cons of Vlogging With a Fast Lens
- More expensive
- Moving subjects more likely to get out of focus when shooting with a large aperture
- Better continuous autofocus performance needed when shooting moving subjects with a large aperture
Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).
OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.
In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.
If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.
Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Nov 01, 2022• Proven solutions
The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.
But which kind of lens is the right lens for you as a vlogger?
In this article, I’m going to help you figure that out.
- Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
- Part 2: Vlogging With Each Focal Length Group
- Part 3: Crop Factor
- Part 4: Focal Length Equivalency Table
- Part 5: Aperture
- Part 6: Vlogging With a Fast Lens
- Part 7: Optical Image Stabilization
Three Focal Length Groups: Wide, Standard, Telephoto
There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.
Wide-Angle Lens
Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.
Standard Lens
With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.
Telephoto Lens
Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.
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Vlogging With Each Focal Length Group
You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.
When to vlog with a wide-angle lens
Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.
Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.
When to vlog with a standard lens
Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.
Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.
When to vlog with a telephoto lens
As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.
In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?
Crop Factor
Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).
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In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.
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Focal Length Equivalency Table
This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.
| Focal Length / Sensor | Full Frame | APS-C | Micro 4/3 |
|---|---|---|---|
| Wide (Handheld Selfie-Safe) | 16mm | 10mm | 8mm |
| Wide (Handheld Selfie-Safe) | 18mm | 11mm | 9mm |
| Wide (Handheld Selfie-Safe) | 24mm | 15mm | 12mm |
| Wide | 35mm | 22mm | 18mm |
| Standard | 50mm | 31mm | 25mm |
| Telephoto | 70mm | 44mm | 35mm |
| Telephoto | 100mm | 63mm | 50mm |
| Telephoto | 200mm | 125mm | 100mm |
Aperture
The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).
Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.
Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.
But do you even need a fast lens?
Vlogging With a Fast Lens
Pros of Vlogging With a Fast Lens
- Better low-light performance
- Better autofocus performance
- Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)
Cons of Vlogging With a Fast Lens
- More expensive
- Moving subjects more likely to get out of focus when shooting with a large aperture
- Better continuous autofocus performance needed when shooting moving subjects with a large aperture
Optical Image Stabilization
Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).
OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.
In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.
If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.
Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Nov 01, 2022• Proven solutions
The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.
But which kind of lens is the right lens for you as a vlogger?
In this article, I’m going to help you figure that out.
- Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
- Part 2: Vlogging With Each Focal Length Group
- Part 3: Crop Factor
- Part 4: Focal Length Equivalency Table
- Part 5: Aperture
- Part 6: Vlogging With a Fast Lens
- Part 7: Optical Image Stabilization
Three Focal Length Groups: Wide, Standard, Telephoto
There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.
Wide-Angle Lens
Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.
Standard Lens
With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.
Telephoto Lens
Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.
Vlogging With Each Focal Length Group
You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.
When to vlog with a wide-angle lens
Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.
Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.
When to vlog with a standard lens
Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.
Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.
When to vlog with a telephoto lens
As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.
In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?
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Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).
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In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.
Focal Length Equivalency Table
This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.
| Focal Length / Sensor | Full Frame | APS-C | Micro 4/3 |
|---|---|---|---|
| Wide (Handheld Selfie-Safe) | 16mm | 10mm | 8mm |
| Wide (Handheld Selfie-Safe) | 18mm | 11mm | 9mm |
| Wide (Handheld Selfie-Safe) | 24mm | 15mm | 12mm |
| Wide | 35mm | 22mm | 18mm |
| Standard | 50mm | 31mm | 25mm |
| Telephoto | 70mm | 44mm | 35mm |
| Telephoto | 100mm | 63mm | 50mm |
| Telephoto | 200mm | 125mm | 100mm |
Aperture
The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).
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Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.
Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.
But do you even need a fast lens?
Vlogging With a Fast Lens
Pros of Vlogging With a Fast Lens
- Better low-light performance
- Better autofocus performance
- Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)
Cons of Vlogging With a Fast Lens
- More expensive
- Moving subjects more likely to get out of focus when shooting with a large aperture
- Better continuous autofocus performance needed when shooting moving subjects with a large aperture
Optical Image Stabilization
Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).
OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.
In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.
If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.
Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Nov 01, 2022• Proven solutions
The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.
But which kind of lens is the right lens for you as a vlogger?
In this article, I’m going to help you figure that out.
- Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
- Part 2: Vlogging With Each Focal Length Group
- Part 3: Crop Factor
- Part 4: Focal Length Equivalency Table
- Part 5: Aperture
- Part 6: Vlogging With a Fast Lens
- Part 7: Optical Image Stabilization
Three Focal Length Groups: Wide, Standard, Telephoto
There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.
Wide-Angle Lens
Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.
Standard Lens
With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.
Telephoto Lens
Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.
Vlogging With Each Focal Length Group
You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.
When to vlog with a wide-angle lens
Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.
Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.
When to vlog with a standard lens
Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.
Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.
When to vlog with a telephoto lens
As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.
In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?
Crop Factor
Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).
In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.
Focal Length Equivalency Table
This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.
| Focal Length / Sensor | Full Frame | APS-C | Micro 4/3 |
|---|---|---|---|
| Wide (Handheld Selfie-Safe) | 16mm | 10mm | 8mm |
| Wide (Handheld Selfie-Safe) | 18mm | 11mm | 9mm |
| Wide (Handheld Selfie-Safe) | 24mm | 15mm | 12mm |
| Wide | 35mm | 22mm | 18mm |
| Standard | 50mm | 31mm | 25mm |
| Telephoto | 70mm | 44mm | 35mm |
| Telephoto | 100mm | 63mm | 50mm |
| Telephoto | 200mm | 125mm | 100mm |
Aperture
The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).
Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.
Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.
But do you even need a fast lens?
Vlogging With a Fast Lens
Pros of Vlogging With a Fast Lens
- Better low-light performance
- Better autofocus performance
- Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)
Cons of Vlogging With a Fast Lens
- More expensive
- Moving subjects more likely to get out of focus when shooting with a large aperture
- Better continuous autofocus performance needed when shooting moving subjects with a large aperture
Optical Image Stabilization
Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).
OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.
In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.
If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.
Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
- Title: In 2024, In-Depth Analysis of YouTube AdRevenue Average Payout per 1,000 Viewers' Engagement
- Author: Joseph
- Created at : 2024-07-29 21:21:19
- Updated at : 2024-07-30 21:21:19
- Link: https://youtube-stream.techidaily.com/in-2024-in-depth-analysis-of-youtube-adrevenue-average-payout-per-1000-viewers-engagement/
- License: This work is licensed under CC BY-NC-SA 4.0.